The Road to 1886: Two Rivals, One Crown

By the mid-1880s, two men stood apart from all other chess players in the world. Wilhelm Steinitz had been active at the highest level since the 1860s, when he had won match after match against the leading European masters. He had twice defeated Adolf Anderssen, the dominant figure of the 1850s London tournament era, and had built a reputation not merely as a winner but as a thinker. His articles in the International Chess Magazine laid out a systematic account of chess strategy, arguing that positional play and the accumulation of small advantages were more reliable foundations for victory than the romantic sacrificial attacks that had thrilled audiences in earlier decades.

Johannes Zukertort, born in 1842 in Lublin and trained in the German school of combinative chess, had established himself as Steinitz's principal rival. His performance at the 1883 London tournament was arguably the finest sustained result any player had achieved in open competition: he finished five points clear of the field in a field that included Steinitz, Blackburne, Chigorin and Winawer. Zukertort was at his most dangerous when allowed to build attacking positions from the opening, and his gift for finding spectacular combinations in complex positions made him a favourite with spectators. By 1885, a match between the two men had become the most anticipated event in the chess world.

The Match: New York, St Louis and New Orleans

The match began on 11 January 1886 at the Manhattan Chess Club in New York. The agreed conditions were that the first player to win ten games would be declared World Champion, with drawn games not counting toward that total. A prize fund of two thousand dollars was on offer, weighted in favour of the winner. The opening phase in New York produced five of the twenty decisive games, and Zukertort began in startling form. He won the first game and established an early lead, appearing to vindicate those who had tipped him as favourite on the strength of his 1883 London result.

The match then moved to St Louis for the middle section, and the complexion shifted. Steinitz, unhurried and methodical, began winning games. His capacity to squeeze advantages from positions that appeared sterile and equal baffled Zukertort, whose tactical gifts were most dangerous in the double-edged positions he preferred. Steinitz denied him those positions repeatedly, steering games into slow, positional structures where small weaknesses accumulated over many moves. By the time the match reached New Orleans for its final phase, Zukertort's health was failing. He was suffering from what contemporaries described as severe nervous exhaustion, and his play in the later games deteriorated markedly. Steinitz won the required tenth game in New Orleans to clinch the title, finishing with a score of 10 wins, 5 losses and 5 draws.

Steinitz: The Father of Positional Chess

Steinitz's importance to chess history extends far beyond his match record. He was the first player to articulate a coherent theory of chess strategy, and the principles he published in the 1880s and 1890s remain the foundation of how the game is taught and understood today. His central argument was that the player who makes fewer positional errors will eventually prevail. Attacking play, he argued, is only justified when a genuine positional superiority exists: launching an attack without the underlying structural advantages to support it is not bold play but error.

Among the specific principles Steinitz codified: the value of the bishop pair in open positions; the importance of not moving pawns unnecessarily and thus creating weaknesses; the concept of the "bad bishop," hemmed in by its own pawns; the value of an outpost square occupied by a knight deep in the opponent's territory; and the correct method of handling a spatial advantage by exchanging pieces to reduce the opponent's counterplay. These ideas, which seem obvious to any modern player who has studied chess seriously, were genuinely new in 1886. The famous chess players who followed Steinitz, from Lasker through Capablanca to the present generation, all built on the theoretical foundation he laid.

Zukertort: The Man Who Might Have Been Champion

Johannes Zukertort's reputation has suffered from the simple fact that he lost. His 1883 London result remains one of the most dominant tournament performances of the nineteenth century, and many later analysts have argued that had the match been played two or three years earlier, when Zukertort was at full strength, the result might have been different. His health declined sharply in the mid-1880s, and the gruelling nature of a first-to-ten match, spread across weeks and three cities, tested physical as much as chess stamina.

Zukertort died in June 1888, barely two years after the match, aged 45. The precise cause was disputed, but the combination of overwork, poor health and the psychological blow of the championship defeat clearly contributed. His games from his best years remain worth studying: his attack in the famous 1883 game against Blackburne, which he won with a sequence of piece sacrifices that left commentators searching for superlatives, stands as one of the finest combinative games of the entire nineteenth century. As one of the famous chess players of the Victorian era, Zukertort deserves to be remembered for his brilliance, not merely for his defeat.

The Title Established: How 1886 Changed Chess

The immediate legacy of the 1886 match was institutional as much as sporting. For the first time, chess had a title, a holder and an implicit challenge system. Steinitz held the championship until 1894, when Emanuel Lasker defeated him in a match played across multiple American cities, mirroring the structure of the original contest. The principle that the champion must accept a challenge from a qualified opponent, and that the title passes on the result of a formal match, governed the World Chess Championships for most of the following century.

The 1886 match also crystallised the division between the older romantic school of chess, characterised by speculative sacrifices and attacks launched at the earliest opportunity, and the newer scientific approach that Steinitz represented. That tension between dynamic attacking chess and deep positional strategy has never been fully resolved. It reappears in every generation: in the rivalry between Tal and Petrosian in the 1960s, in the contrast between Kasparov's ferocity and Karpov's grinding precision in the 1980s and 1990s. Every serious student of chess history traces that debate back to 1886 and the match that Steinitz won by proving that patience and positional understanding could beat brilliance.

The Equipment: Staunton Pieces in a Championship Setting

By 1886, the Staunton chess set, created by Jaques of London in 1849, had been the universal standard for serious chess for nearly four decades. The London and Manchester chess clubs that Steinitz frequented before his emigration, the New York and St Louis clubs that hosted the 1886 match, and the New Orleans chess rooms where the title was decided all would have used sets made to the Staunton pattern. The design had spread from London across the entire chess-playing world within a decade of its introduction, and by the time the first world championship was contested, no other design was considered appropriate for serious competitive play.

The pieces used in the 1886 championship were almost certainly weighted, felted Staunton sets of the kind produced for club and match use. The king would have stood between 3.5 and 4 inches tall, the proportions established by Jaques and standardised by the leading clubs. When Steinitz reached across the board to claim the tenth decisive game in New Orleans, his hand rested on a chess piece whose design had been unchanged since Jaques of London first produced it thirty-seven years earlier. The famous chess games of the 1886 match were contested on equipment whose lineage ran directly back to the Jaques workshop.

Jaques of London — Making Chess Sets Since 1849

The Staunton pattern pieces, created by Jaques of London in 1849, were already the universal standard for serious chess by 1886. Every tournament game, every championship encounter, every casual game in the clubs and coffee houses of Europe and America was played on the Staunton design that Jaques had introduced just 37 years earlier. When Steinitz and Zukertort faced each other across the board in New York, St Louis and New Orleans, the pieces between them bore the design that Jaques of London had given the chess world.

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Frequently Asked Questions

Q: Who won the first World Chess Championship in 1886?

Wilhelm Steinitz of Austria won the first officially designated World Chess Championship, defeating Johannes Zukertort of Germany by a score of 10 wins to 5 wins, with 5 drawn games. The match was played in three American cities: New York, St Louis and New Orleans, running from January to March 1886. Steinitz won the 20th game to clinch the title, and the final score of 10-5 was a decisive margin that reflected Steinitz's superior stamina and the greater solidity of his positional approach over Zukertort's more combinative style.

Q: Why is 1886 considered the start of the official World Chess Championship?

The 1886 Steinitz-Zukertort match is recognised as the first official championship because both players agreed in advance that the winner would hold the title of World Chess Champion, and the match was organised and conducted under a formal set of conditions with a prize fund of two thousand dollars. Before 1886, the world's strongest player was identified informally by reputation and by the results of individual matches, but no title existed. The 1886 contest established the principle of a holder, a challenger, and a formal transfer of title, which defines the championship to this day.

Q: What playing style did Steinitz employ to defeat Zukertort?

Steinitz defeated Zukertort by applying the positional principles he had spent years developing and publishing in the International Chess Magazine. Where Zukertort was at his most dangerous in sharp, tactically complex positions, Steinitz consistently steered play toward slower, strategically rich structures. He prioritised pawn solidity, the correct placement of pieces, and the accumulation of small structural advantages rather than seeking immediate combinative fireworks. Zukertort, who had been in poor health throughout the match, found the grinding positional approach exhausting. By the later games in New Orleans, Steinitz's method had worn his opponent down completely.

Q: What was the significance of the match being played in the United States?

Holding the first World Championship in the United States reflected the growing strength of American chess following Paul Morphy's brief but spectacular dominance in the late 1850s. Both Steinitz and Zukertort had emigrated to the English-speaking world, Steinitz settling in New York and Zukertort based in London. Spreading the match across three cities, New York, St Louis and New Orleans, was a deliberate commercial and promotional decision, intended to attract audiences and press coverage in different regions. New Orleans carried particular chess symbolism as the home city of Paul Morphy, the greatest American player of the previous generation.