Wijk aan Zee, January 2013: Champion Against Challenger-in-Waiting

The fourth round of the Tata Steel tournament at Wijk aan Zee, played on 15 January 2013, paired two men with unfinished business. Levon Aronian was ranked second in the world and widely tipped as a future challenger for the crown. Viswanathan Anand was the reigning world champion, but a champion under pressure: his 2012 title defence against Boris Gelfand had been narrow and cautious, and critics were asking whether the 43-year-old's best chess was behind him. A history of World Chess Championships shows how often a champion's authority rests on moments like this one.

Aronian had White and steered the game into the Meran Variation of the Semi-Slav Defence, one of the sharpest battlegrounds in modern opening theory: 1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3 e6 5.e3 Nbd7 6.Bd3 dxc4 7.Bxc4 b5 8.Bd3 Bd6. This was territory Anand knew intimately. He and his seconds had ploughed through these positions while preparing the Gelfand match, and the champion was about to demonstrate exactly how deep that work had gone.

The Powder Keg Before Move 16

Both sides played with open aggression. After 9.O-O O-O 10.Qc2 Bb7 11.a3 Rc8 12.Ng5 c5 13.Nxh7 Ng4 14.f4 cxd4 15.exd4 Bc5, the board was a powder keg. Aronian's knight had grabbed the h7 pawn and stood attacking Anand's rook on f8. Anand's own knight had leapt to g4, eyeing f2 and h2, while his bishops raked the long diagonals towards the white king. Then came 16.Be2, attacking the g4 knight and apparently asking Black what he intended to do about his loose pieces.

Count the threats against Black: the knight on g4 is attacked by the bishop, the rook on f8 is attacked by the knight on h7, and the d4 pawn blunts the c5 bishop. Conventional chess strategy says you must attend to your hanging material. Anand had seen further. White's queenside pieces, the rook on a1, the bishop on c1 and the knight on c3, were all spectators, and the white king's cover had been loosened by f4. The position was not about material at all. It was about time.

16...Nde5: The Third Attacker

Anand played 16...Nde5, and the move is astonishing on first sight. Black leaves the g4 knight en prise, leaves the f8 rook en prise, and plants a second knight on a square where the f4 pawn can simply take it. Three of Black's pieces now hang in various ways. Yet the move is close to winning by force, because every capture opens a line into White's king.

The main line ran in the game: 17.Bxg4 Bxd4+ 18.Kh1 Nxg4. For the exchange and a pawn, Black's bishop had seized the a7-g1 diagonal with check, and the knight had reappeared on g4, where it could no longer be challenged. The alternative 17.fxe5 loses to 17...Qxd4+ 18.Kh1 Qg1+!! 19.Rxg1 Nf2 mate, a pure smothered mate. Among chess tactics, the move belongs to the rarest family: a multi-piece sacrifice justified not by a single forcing line but by the total paralysis of the defender's army. When Aronian tried 19.Nxf8, Anand did not even recapture, playing the quiet killer 19...f5!, sealing the g4 knight in place and threatening ...Qh4.

Collapse in Seven Moves

From move 16 the game lasted only seven more moves, and Aronian was lost in all of them. After 20.Ng6 Qf6 21.h3 Qxg6 22.Qe2 Qh5 23.Qd3 came the final blow, 23...Be3, cutting off the c1 bishop's defence of the kingside and renewing the threats around h3 and g1. Mate could not be prevented at acceptable cost: the ideas of ...Qxh3+ followed by mate on the light squares were unstoppable with the knight anchored on g4 and the bishop dominating the dark squares. Aronian resigned, 0-1 in 23 moves.

What stunned the chess world was the wreckage on the queenside. White's rook on a1, bishop on c1 and knight on c3 never moved after the storm broke. Anand had calculated that Aronian's extra material was an illusion because it could never reach the battlefield, a judgement that separates the great attacking players profiled among famous chess players from everyone else. Anand admitted afterwards that much of the line was home analysis from his Gelfand preparation, but preparation still has to be remembered, trusted and executed against the world number two with the clock running.

Echoes of Rubinstein

Almost every annotator reached for the same comparison: Rotlewi versus Rubinstein, Lodz 1907, the game known as Rubinstein's Immortal. There too, Black in a queen's pawn opening hurled rook and minor pieces at a castled king and mated with the remnants. Anand himself acknowledged the parallel. The kinship placed his game in a lineage running back through the great romantic famous chess games of the nineteenth century, the Immortal and Evergreen games among them, in which material was treated as fuel for the attack rather than the measure of success.

The difference was context. Those Victorian brilliancies were played in an era of experimental defence, in the decades when Howard Staunton and his successors were still codifying the game's principles. Anand's masterpiece was produced in the engine age, against one of the best defenders alive, and it survived silicon analysis intact. Computers found no refutation of 16...Nde5; they confirmed it as the best move in the position. That is why the game is studied today as a model of dynamic calculation rather than a museum piece of chess history.

Legacy: The Best Game of the Decade

The game won the round four best-game honours, was voted the finest game of 2013 in numerous year-end polls, and when the 2010s closed it topped many lists of the decade's greatest games. It also reframed the story of Anand's career. Ten months later he would lose his title to Magnus Carlsen in Chennai, yet the Aronian brilliancy proved his attacking genius was undimmed at 43, and he underlined the point by winning the 2014 Candidates Tournament to earn an immediate rematch.

For students, the lessons are durable: in opposite-wing races, count attackers rather than pawns; a piece that cannot reach the kingside is not a defender; and a hanging piece is only hanging if your opponent has time to take it. Players who absorb those ideas alongside sound technique in chess endgames understand why Anand's 16...Nde5 is taught beside the classics. It is the modern proof that brilliancy did not die with the romantics.

Jaques of London — Making Chess Sets Since 1849

When Anand and Aronian sat down at Wijk aan Zee in 2013, the pieces between them followed the Staunton pattern, the design FIDE regulations mandate for tournament play. That pattern was originally created by Jaques of London in 1849, which means every move of this brilliancy was played on pieces whose design traces directly to the Jaques workshop in London. The same firm, founded in 1795, still makes Staunton sets today.

Shop Staunton Chess Sets →

Frequently Asked Questions

Q: Why is 16...Nde5 considered such a brilliant move?

The move breaks one of the most basic instincts in chess: when your pieces are attacked, you save them. Anand's knight on g4 was hanging, his rook on f8 was under fire from the knight that had landed on h7, and his d7 knight had no obvious future. Instead of retreating anything, 16...Nde5 offered material in three directions at once and brought a fresh attacker towards White's king. The point is concrete: if White grabs material, Black's pieces flood into d4, g4 and f2 with decisive effect, as the game itself showed after 17.Bxg4 Bxd4+ 18.Kh1 Nxg4. The engine confirms it is also objectively the strongest move, which is the rarest combination: a sacrifice that is both spectacular and simply correct.

Q: Was 16...Nde5 home preparation or found at the board?

It was largely home preparation. Anand and his team had analysed this sharp Meran line of the Semi-Slav in depth while preparing for his 2012 World Championship match against Boris Gelfand, where the same opening complex appeared. Aronian's 16.Be2 walked into analysis Anand had effectively already done. Anand was honest about this afterwards, acknowledging that much of the game had been examined at home, though he still had to recall and execute the ideas precisely at the board and to handle the deviations Aronian could have tried. That honesty does not diminish the game. The conception of giving up rook and knight to drag the white king into a mating net had to be found by humans first, and Anand played the entire sequence quickly and flawlessly.

Q: Why did Aronian resign on move 23?

After 23...Be3, Aronian's position was beyond saving. Anand's queen on h5, knight on g4 and dark-squared bishop had built an unstoppable mating attack around the white king, and the immediate threat included ideas of ...Qxh3+ followed by mate, since the g4 knight and the bishop control the escape squares. Any attempt to give back material would still leave White hopelessly placed: his queenside pieces, the rook on a1, the bishop on c1 and the knight on c3, had never entered the game. Aronian, then ranked second in the world, saw no reason to play on against a forced collapse and resigned after just 23 moves, one of the shortest decisive games ever played between two players of that calibre.

Q: Which famous game does Anand vs Aronian 2013 echo?

Commentators immediately compared it to Rotlewi versus Rubinstein, Lodz 1907, often called Rubinstein's Immortal. In that game Akiba Rubinstein, also playing Black in a queen's pawn opening, sacrificed heavy material to let his bishops and rooks deliver mate against a castled king. The structural similarities are striking: a symmetrical-looking opening, both sides racing to attack, and Black striking first with sacrifices on the long diagonals. Anand himself mentioned the Rubinstein game after his win, and the parallel is part of why the Aronian game resonated so deeply with chess historians. It felt like a classic from the romantic era of chess history, yet it was played at the highest level of the computer age and survived full engine scrutiny.